Spot 033: Revolver

 

TAXMAN
by Michael D. Brown

“Let me tell you how it will be. I’m taking everything, Frank.” She was in one of her raunchier moods.
“Well, if you’ll allow me to be frank,” he said, “There’s going to be very little left to take.” He had been careful about investing vast sums in tax hedges he never told her about, and she was not the brightest star.
Her lawyer was her sister-in-law’s brother, and on his relationship with Marcus he would never be frank. Ostensibly, the two men did not get along, but in fact they did and in an intimate way Lisa would never be able to fathom. Indeed, she never reasoned why he was not contesting a divorce.
He had not counted on Eric, Lisa’s brother, who, although he also gave off dim light, was aware of something occurring between Frank and Marcus, but did not know what to call it, surreptitious though firm backslaps and ass pats notwithstanding.
“The taxman cometh,” Frank now said by way of humorous diffusion, “and he’s going to plow through our savings like Grant took Richmond.”
Lisa, who suffered mood swings, was trying on false eyelashes, and he believed she was already hatching a plan to flirt with the auditor, as yet unseen, and for all the good it would do her, while Frank thought maybe a few baseball games would provide the space he needed to explain to her brother the vicissitudes of friendship and how he would always consider him family no matter what happened.

See Authors page for Michael’s bio.

 

 

ELEANOR RIGBY (MacKenzie’s Tale)
by Sandra Davies

The press got hold of it, of course. I might’ve guessed, mid-August and precious little else in the way of news, but not that they’d take quite so much interest, sending a film crew to the funeral, and then to have turned it into a song, a sort of mini-musical, string quartet backing and all the rest. It was them, the songwriters, who gave her that fancy name, made her sound better than she was. I mean, Eleanor was a queen, Castile, all those memorial crosses Edward I had erected in 1290 or thereabouts, whereas Nelly was little more than the nameless slut she was when I got her.
She was a quick learner, though, I’ll give her that – even at darning socks! – but that wasn’t what I needed her for. Just not always as … compliant … as I intended her to be. And more secretive than ever I gave her credit for.
At least they never found that it was not just her name that was buried along with her.

See Authors page for Sandra’s bio.

 

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I’M ONLY SLEEPING
by Travis Smith

[should join us shortly}

See Authors page for Travis’s bio.

 

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LOVE YOU TO
by Michael D. Brown

Each day goes so fast. The mornings, despite my hacking and sniffling, are filled with bright thoughts of all I want to accomplish, which I don’t get round to in spite of best intentions. Then, most nights I stay up too late, noodling and doodling. It’s the twelve hours in between that dissipate like the smoke from one of my too, too many cigarettes. Of course, when I finally work up the energy to do a little housecleaning, I find that again. Everything is yellow with a film I can only imagine has blackened my lungs.
I’m reminded of the baby, little Bobby, who did not reach the age of two. Your mom and sisters finally getting it together to paint the wretched apartment. You had fun all afternoon drawing silly pictures on the walls before covering them over with that pale blue until late in the evening when you put down your brushes and turned off the radio to admire your newly brightened home. Nobody realized, even during his feeding, that Bobby was being asphyxiated by the fumes.
More than one person remarked how long his little body looked in the tiny casket, and how it did not signify when later you gashed holes in all the wooden walls. You have never been right since the loss of your little brother, have you?
I know it’s hard to commit, but I would love you to be here now.
I’m not sure what I should do about all these holes.

 

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LOVE YOU TO: DIALOGUE
by Gita M. Smith

“Hello?”
“Barb, it’s Madge!”
“Madge? Oh… my goodness. We haven’t heard from you in ages. (Hand over receiver: Honey, it’s your sister.”)
“I know, and that’s why I’m calling! We have so much catching up to do. I’ve been on a retreat with my guru – you remember Sri Dev Hatmankandu – and he told us that we should return to the world after being sequestered for three months in Bangalore – you would NOT believe what passes for sanitation in some places — and to be with family as part of our re-entry.”
“I see…so…”
“SO! I am coming to visit you and Bart just as soon as I can eat solid food again. I caught a teeny parasite over there – all of us did, actually – and I’m almost recovered. My naturopath said it isn’t contagious.”
“Ah, Madge, dear, please hang on a sec while I get a cake out of the oven. I just heard the timer ding. (Bart, she said she’s coming to visit. I don’t know when. When she stops having diarrhea! THINK!)
“Heyyyy, I’m back! It’s so great that you traveled to India. And you know, about the visit? I’d love you to – and so would Bart. But he just, well he surprised me with the Winnebago I’ve been wanting for years and we’re about to hit the open road ourselves.”
“Will you be gone long?”
“Very long.”
“What should I do?
“Just sit tight. We’ll come to you. Eventually.”
“Oh! I’d love you to.”
“Buh-bye.”
“Namaste!”

See Authors page for Gita’s bio.

 

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HERE, THERE AND EVERYWHERE
by Paul de Denus

Here–
Detective Avery marks and bags several bottles of narcotic sitting on the nightstand. His partner Madison cork-fingers and bags the bottle of Jack, the one with granulated residue on the bottom. The woman – one Sarah Hope – has also been bagged and tagged and removed to the county morgue. The bedroom shows no sign of struggle. Her Chevy Vega sits quiet in the driveway; her purse still contains her keys and ID. No sign of cash. No sign of her twelve-year-old son either.

There–
is a spew of blood painted on the back seat of the car. DNA is being checked.
There are accusations of abuse – according to the sister-in-law – flags like meth-lab and pill-mill activity mixed in too. The father took off months ago, resides in Little Woods, the next town over. “The boy suffered mightily at their hands,” the sister-in-law says. “Damaged goods.” Detective Avery digests the murder/suicide theory. “Happens all the time. Pill-popping mom kills son… dumps body… offs herself. Only thing missing is a suicide note.” Madison nods, adds, “And the boy.”

Everywhere–
perhaps under darkened walkways or bleak alleys is where you’ll find them. Their noses hurt from the self-inflicted punch; didn’t think they’d bleed that much. The backseat blood fest should keep the police occupied for a while. Black thoughts caper and dance. “Momma had it coming… paid hard. Daddy will too.” They begin to walk again, then run, only a half-mile outside of Little Woods.

See Authors page for Paul’s bio.

 

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THE YELLOW SUBMARINE
by Bill Lapham

When the wind blew and Neptune’s mood was dark, waves smashed against the shore-borne rocks and the spray would reach all the way to the windows of our house. In the winter, the water froze and the view was like looking through a crystal ball — with no future in sight. Not often did we see blue skies at that latitude, but quite often the sea was green as the vegetation it slopped ashore.

Not far away was a submarine base, and on a clear day, I could see them get underway. When the sun glinted off their hulls at just the right angle, the reflection had a golden, almost yellow, glow. With binoculars I could track them until they opened their vents and vanished, as if they’d been exiled for crimes against humanity.
I always wondered how the crews spent their hours underwater, living in a machine loaded with weapons of mass destruction, weapons of total annihilation. How could they live with that knowledge? Would they really launch them?

Once they were out of sight, they seemed to be non-existent. Then, in a different season, they would appear again, inbound, headed for their home port, families and safety. A place where the crew could rest and walk the highlands and think — until the next time they went to sea.

See Authors page for Bill’s bio.

 

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SHE SAID SHE SAID
by Sandra Davies

‘So, when she told me – and obviously I was completely gobsmacked, felt quite wobbly in myself for a bit, like I did when I saw that accident last week – I told you about that didn’t I? Yes, thought I did, gave me a proper turn that did! Anyway, I said to her, I said, well asked more like, I said ‘Isn’t it about time you told me the truth?‘… my God look at the state of her, no, not that one, the one in the red dress, yes that’s the one, if that’s not mutton dressed as lamb I don’t know what is! … Where was I? Oh yes, last night. Well, yesterday afternoon I suppose it was, it must’ve only been four o’clock, if that, because the football results hadn’t been on and I know he’d’ve shut me up then, he always does, though, as I always say to him, none of it really matters does it, they’ll only be playing again next week, and anyway he always reads them again in the Sunday paper, all over the blooming breakfast table. And it’s only bloody football after all, load of overpaid prima donnas – did you read about that one and those models? It was in last week’s paper, three of them together, and Bollinger and goodness knows what else – more money than sense, obviously. But you’ve only got to look at her that I was telling you about, to know that, although what she did certainly takes some beating.’

 

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SHE SAID SHE SAID: DIALOGUE
by Bill Floyd

She said: I’m gone.
He said: But why?
You know.
Please stay.
I can’t.
Why not?
My heart.
Oh, that.
Undone.
Can’t be.
Is so.
I’ll change.
You won’t.
It’s him.
It’s you.
Undying.
Unborn.
No choice?
Too late.
Come here.
Fat chance.
Come back.
I’m gone,
she said.

See Authors page for Bill’s bio.

 

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SHE SAID SHE SAID
by Paul de Denus

She said I was cute. She said I was the best she ever had. She said let’s get married. She said she didn’t want any kids. She said my apartment was too small. She said we needed more room. She said the over-priced house was perfect. She said we should get a new car. She said I should clean up the garage. She said I should put my clubs in the attic. She said she wanted a bigger house. She said she didn’t care for my parent’s attitude. She said she didn’t want my family coming over anymore. She said my friends were immature. She said she didn’t want my friends coming over anymore. She said she was going shopping again. She said she needed a bigger closet. She said I didn’t make enough money. She said I should get a better job. She said the house was a mess. She said we needed a maid. She said she was bored. She said I never took her anywhere. She said she wanted something different. She said she didn’t think she loved me anymore. She said I should move out. She said, “What are you doing?” She said, “Is that a gun?” She said, “But honey-bun…” She said no more.

 

 

GOOD DAY SUNSHINE
by Mike Handley

I’d long buried the memory until a friend, perhaps giddy because he was sitting on my porch wearing nothing but a whiskey sour, felt compelled to remember the first time he disrobed without being self-conscious.

A teenager, he was hunting deer when inexplicably struck with a primal urge to stand naked among trees. His grin was a toothpaste commercial complete with pinging starburst.

“Oh my god, it was so cool,” he said.

To that point, I thought I alone had done such a thing.

I’d been in my mid-20s, afield before sunrise in the middle of an Alabama winter. Around midmorning, fascinated by the play of light and shadows across my clothes and the sun’s warm caress, I took off my many layers, folded and placed them on the log where I’d sat.

I basked for the next half-hour, watching the sun dapple my body, igniting the fine blond hair on my forearms and the coppery thatch at my groin. I wanted to stay that way forever, but the whistle of an approaching train snatched me out of Eden.

Interviewing the police chief not long afterward about a bust in which camo-clad officers had staked out a patch of marijuana in the middle of the woods and caught the grower, wearing only boots, coming to check his plants, I decided I wasn’t so eager to return to my private playground.

“What kind of freak would do that?” the chief asked.

“Beats me,” I lied.

See Authors page for Mike’s bio.

 

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AND YOUR BIRD CAN SING
by Michael D. Brown

Chas spent the summer in London before moving on to the job in Lisle. On his penultimate day in town, he had drinks with Neville, who said although he knew Chas could not pass up the opportunity awaiting him, nevertheless he did not want to call this a goodbye luncheon.
“You’ve got the flat with all a bloke could want, and you’re trusting me to hold it together for you until November. How do you know we won’t hold wild smoking parties and destroy everything?”
“Is that your plan?”
“No. Course not. I’m just saying.”
“There was something else I wanted to ask of you, but I don’t quite know how to put it other than bluntly. Could you keep an eye on Heather?”
“How do you mean?” The fluttering under Neville’s left eye was confirming what Chas had suspected. He had already lost her.
“We promised to keep in touch and all, but, and it’s not as if I don’t trust her, just that she’s so pretty, and popular…”
“And she sings like a bird. Did I tell you I finally got a chance to go listen to her perform at the club last Friday? I know you think we’re not copacetic but I really do like her artistic bent. She’s like one of those beatnik chicks left over from the last generation, and…” Neville was rambling—always a sure sign he was covering up.
Yes, Heather could sing all right, and like a bird she had already flown.

 

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FOR NO ONE
by Kristine Shmenco

She liked to sing in the shower, and sometimes she liked to practice for her next audition there. He liked to stand outside the door and listen while she entertained herself, hot water fading tepid. He listened to one late-night shower (she’d been out all night with the girls and wanted to wash the smoke from her hair, she said, before bed) and wondered what she was auditioning for this time. The lines went something like “it wasn’t all lies but it wasn’t all love, either.” She hummed through rooms dusting picture frames that were gone the next day and he wondered why she didn’t take the nails, too. He began taking long walks down by the pond in town and wondered why her hand wasn’t in his. Tired of walking, he took long turns at the bar wondering why she wasn’t sitting there, arguing the fine points of some crappy movie they watched eight years ago. He knew where she was. More importantly, she knew where he was, and it was easier this way. She hoped the ice in his glass tasted sweet, thinking about his gentle eyes. She knew he’d be okay the farther away she went and it wouldn’t be her getting smaller in the distance. She left it all in the house and took her convertible one last turn through a neighborhood she would never miss. She was happy for the first time in a long time and felt connected to herself and the sun.

See Authors page for Kristine’s bio.

 

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DOCTOR ROBERT
by Paul de Denus

In his waiting room, the first thing you’ll notice is the upscale décor. The walls are lined with Eames, the single molded plywood type. They fit your body like perfect dentures. A 3-seat black leather sofa occupies the opposite wall and you’ll want to sit there awhile, just to feel it opiate your senses. A Skagen coffee table crouches between the sofa and chairs. It is adorned with picture perfect worlds that offer tastes you can only imagine. The doctor always delivers.

Stephanie will guide you in to the pleasure chair. Above your head, drop pendant lights hang like plucked eyeballs still attached to the optic nerve. You’ll try not to giggle. In the corner of the room, there is an empty dome-shaped birdcage. You’ll imagine a yellow canary on the empty swing singing a familiar soundless tune.

When the doctor appears, his hands will barely touch your face as he painlessly injects your mouth. His small hands will move like those of a mime. Your tongue will tingle as he tinkles the ivories and he’ll polish you off with a tasty minor flourish. His face will be close enough to kiss. He will nod in rhythm as if hearing the soundless music, perhaps the song of the imagined canary.

As you leave, Stephanie will hand you – discreetly of course – a white velvet bag. It’s what you came for, isn’t it? What’s inside will soon have you humming another tune.

 

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I WANT TO TELL YOU
by Paul de Denus

I’ve been all over the album cover. Oh man, have you seen it? It’s a mixed bag of black and white caricature and photos. Some guy named Klaus Voormann did it. He’s on the far right, in George’s hair. If I’d known they loved this kind of art, I’d have submitted something to their Fan Club. It’s the kind of thing I draw. Ask Mr. Monteith, my art teacher. He’s also my Math teacher but he’s a damn good artist too and let me tell you, he’d know! I’m not knocking this Klaus guy. He’s fantastic! He went nuts on their hair. Shit, I wish I could grow my hair that long. Dad won’t let me – says it’s for girls. He’s having a hard time keeping up these days. But I’ve seen his foot clocking to Taxman.

The photos on the cover look like my dad took them, all dark and lousy. They’re cropped badly. I bet they slapped them together after dropping some bad LSD. The back cover has a dark photo too but it’s really cool. They’re all wearing glasses and paisley and suits and grinning like they’re high except for Paul. I bet that means something. I’ve looked for a revolver in the picture too. It’s probably buried in there somewhere. George looks like he’s holding something. Man, I just wanted to tell you, they’re totally capable of cool stuff like that. They really are.

 

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GOT TO GET HER INTO MY LIFE
by Gita M. Smith

I live inside a snow globe at a Stuckey’s by the I-70 off-ramp to Torrington, Conn. It takes some getting used to, this life does. Snowglobe dwellers, or ‘Globers,’ as we like to call ourselves, forever have a 360-degree view of the world. Because of the convex curve of the globe’s glass walls, things on the outside look unpleasantly enlarged. A human eyeball approaching the glass surface appears like a vast milky moon with a watery dark center. A hand that grasps us is magnified a hundredfold. Fingerprints leave giant troughs and hills on the surface of our sky where they smear and mingle with other fingerprints.
Like whales, we hear sound waves through the medium of water. Normally, water mutes sounds, but the round walls bounce noise around and magnify it. But I am happy because I’m taken care of by Shelly, the store manager. How delicately and tenderly she picks up my snow globe to wipe away customer fingerprints. She peeks at me and smiles when the snow-glitter drifts down on my head and shoulders. “Well hello, there, little fellow,” she says, as sultry as the dark hair that falls over my world when she bends to dust my shelf.
Tragically, there has never been a successful relationship between a Glober and a human. Yet I hold out hope that someday soon, either she will shrink or I will grow. I long to be with her and hold the hand that holds my universe in its loving grasp.

 

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TOMORROW NEVER KNOWS
by Nicole E. Hirschi

My senses refuse to focus.
I feel like I’m dying,
forgetting Here and Now,
drifting in dreams of Past,
believing wasted half-truths,
of loves come and gone,
lives spent in the briefest moments
of happiness outdone by sorrow.
Yesterday, I wished-
not for a second of Today
but for an eternity
of what lies beyond
in a world of Tomorrows.

My senses begin to fade.
Dying? But not dead.
Too much, TOO MUCH!
Today’s thoughts of doubt
struck down my reachable goals-
my promises of untold glory
waiting patiently on the shelves
of the ‘morrow.
Remembering Yesterday, I cry.
With back turned
to hide my face,
I give a poor farewell
to Yesterday’s wasted wishes.

My senses try to focus.
Surviving, but confused and hurt.
I try to comfort my heart,
burning for dreams to hold-
even if broken- to mold.
For what doubts festered in Today
will Tomorrow, become Yesterday’s.
Dreading what’s Past, but
scared of the Future,
I live through Tonight to realize
there is no need for wasted suffering
because after Today,
Tomorrow Never Knows…

See Authors page for Nicole’s bio.

 

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Illustrations for Spot 033 inspired by Klaus Voorman and Sandra Davies.

 

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