IN THE WEE SMALL HOURS
by Gita Smith
I was telling Ralph – you know my brother, right? – the other day. I said, “I can’t get a good night’s rest. I wish I could sleep like a teenager again.”
Well then, of course, he launches into a whole megillah about his insomnia – it’s Ralph after all – with acid reflux this and restless leg that. Whatever you have, he has worse.
If you told him you had a neck tumor, he’d tell you he’s got stage four brain tumor.
So anyway, I can’t sleep for nuthin’. It’s driving me nuts. We have a TV in the bedroom, but if I turn it on, I’ll wake Estelle.
It’s 1 a.m., then 2, then I hear noises in the attic. My balls itch, and I worry about the bedbug epidemic. I tell you, insomnia can make you a lunatic.
Then I get this idea. I’ll go in the den and call Ralph. If he’s sleeping while I’m tossing, that puts the kibosh on his long-suffering act. No more one-upmanship.
If he’s awake, hey, we can talk about the Phillies’ chances in the World Series.
So I call, and after six rings he says, “Benji, I was out on the deck. I have terrible insomnia — for two days, now — my blood pressure’s in the tank, we have bedbugs and there’s a rattlesnake in the attic.”
I can’t win with that guy. My one satisfaction is that when I die, the miserable little shit will die too. Just to show me.
See Authors page for Gita’s bio.
MOOD INDIGO
by Joe Gensle
He spilled his story, sat lost in thought before the psychiatrist recalling how he got there. ‘Other guys’ wives run off with cops but they don’t get sick with ‘Mood Indigo,’ Melvin pondered.
His friend, Gabe, pleaded, “You need help, Mel!” on seeing the apartment trashed, the coin collection strewn about, learning Melvin abandoned his bowling team, lost the vice presidency of the model train club. But the goldfish and hamster, dead of starvation and stinking forced an intervention.
Dr. Engvaldsson asked, “You say ‘Mood Indigo…‘ because it was a cop?!”
Melvin brightened, “Classic case! I read it on WebPsychHelpLine. Mood Indigo’s a condition of jilted spouses experiencing devastating consequences from extramaritals with cops!”
The psychiatrist retorted, “Jilted? Your wife’s sexual appetites changed, you didn’t buy-in…don’t like rough stuff, dress-up, or bondage. Might that drive her into the arms and handcuffs of that so-called ‘kinky’ cop?”
Melvin blanched, teeth clenched, freed his stare to glance at photographs behind the doctor’s desk.
“You’re selfish, own your consequences. It’s pity-potted depression, not ‘Mood Indigo.’ Build a bridge. Get over it!” chuckled the blonde doctor.
Adrenaline launched Melvin over the desk, grabbing the letter opener in a clumsy lunge, but he missed. The blade angled into Melvin’s own over-aged baby fat.
Melvin’s blues were actualized in a navy blue prison uniform (for attempted murder). Prison foreplay inflicted purplish-blue bruises, his rape occurring in a checkered-blue tiled shower, ignored by blue-shirted guards. The infirmary was blue. Blue like the eyes of Engvaldsson’s children.
See Authors page for Joe’s bio.
THE ADDICT’S HUN
by Elliott Cox
“Aww hell, son, it ain’t gonna hurtcha none. You been doin’ bidness with me for, what now? Damn near ten years? Hmph. You got it figgered boy, shee-it, ain’t hurtcha before now, right? Ain’t gonna hurtcha now, un hunh. Not now, not never. All ya gotta do is…ahh, yeah, that’s it. Feels good, huh?
“Nnhhahhh.”
“Yeah, I know it hurts at first; it should hurt sometime, keepya modest, ya know? But it don’t take long to…hah! Got it already, didja? Mmm hmm, thaaaas why you keep comin’ back, right? Cause I makeya feel good, right? Makeya feel like you ain’t jus a tree in summer, coverin’ itself up, feelin’ like nothin’ but part of the forest. Naw, that ain’tchoo, friend, that ain’tchoo. You live the fall, right? You live the life, you drop your leaf’s an’ say check it out! This is me! Look rycheer! This is ME goddamnit! I ain’t jus another tree in the forest! Well, thas whatchoo should be doin’, anyway. Your own thing…hmph…be nice, right?
“Hey. HEY! You listnin’ to me? Nah, you out…guess you ain’t heard a word I said, didja? Hmph. Look atcha…feelin’ it, ain’tcha? Getchaself up, son. Longer ya let me enya head, longer Ima be enya head. Wake up, boy, ‘fore I putcha to sleep for good.”
See Authors page for Elliott’s bio.
I GET ALONG WITHOUT YOU VERY WELL
by Nicole E. Hirschi
To A Jeffrey McKibbon:
I’ve forgotten you, just like I should – no more newspaper articles about your victims, no more angry letters, or my house being egged – yes, I’ve forgotten you, just like I should, of course I have.
Your letter came, and I had to ask my husband if he recognized your name. In a hurry he snatched the letter from me and threw it in the flames of our pre-winter fire. Flames licked and caressed the envelope until it consumed all of its contents. I stared at my husband’s face, questioning, until he finally answered, “It was from your son.”
A thousand memories flooded. Who was I to kid the moon, thinking I could forget you with years of no more tears. My hands trembled. I picked up the phone to call, as I had done so many years ago, to talk to you, my child, my son.
The number to the prison would not come to mind. I could hear the dial tone turn to those annoying beeps and placed the phone back on its receiver.
Why I’m writing this to a crazed murderer, who claims to be my son, I’ll never know except perhaps that I’m a fool.
Your letter, if read, would probably have broken my heart in two, so for now, I write to ask do not send anymore – for I’ve forgotten you like I should, of course I have.
I get along without you very well.
-Your Mother
From times long past
See Authors page for Nicole’s bio.
DEEP IN A DREAM
(alternate lyrics)
by Mike Handley
Whiskey-voiced crooners
Under hats with short brims
Serenade while your lips leave prints on the rim.
We clink to good times, to spooning, to woo,
While I’m deep in a dream of you.
The fresh smell of washed hair,
Your scent on my hands;
The mingling of toothpaste, cigarettes and glands;
Eyes closed, yet registering the smoky hue;
When I’m deep in a dream of two.
We later swap leads on the floor and indeed,
No bounds for our passion remain.
We dance on the ceiling,
Our love is reeling,
Heat shared by the gliding insane.
I awake with a gasp, a shudder to sparks,
Mourn images fading,
It’s no longer dark.
Now a rudderless ship, afloat with no crew,
Plowing deep in a dream of you.
See Authors page for Mike’s bio.
I SEE YOUR FACE BEFORE ME
by Amy Hale Auker
I see your face before me. And I see it all over my past. For years I ran my fingers gently over the lines beside your eyes, smoothed your mustache, felt the lines in your forehead deepen, touched you behind your ears where we usually never feel the fingers of another.
I am not allowed to touch your face anymore. I am not allowed to hear your voice. You told me that we can’t be friends because you know how I smell.
I pull the Coors Light box down out of the closet and riffle through the flat images that represent our past. There you are looking young, so lost… why didn’t I see how lost you were back then when you stole that boot jack from the boot shop, shoving it into the 18-inch tops when the boot maker wasn’t looking?
There you are looking strong and proud and found, holding our infants, striding toward adulthood. There you are looking responsible and … tired. There you are looking like a peacock in always new clothes, while I look smaller and smaller by your side. I don’t remember how you smell.
Now I go to facebook to see you, and you look a little desperate, aiming toward the biggest fun, the loudest laugh, constant and always movement, that promised new love who has yet to appear, yet to stay, and you so desperately need someone to stay.
I see your face before me, but your heart is hidden from sight.
See Authors page for Amy’s bio.
CAN’T WE BE FRIENDS?
by Kristine E. Shmenco
I got my head in my hands and arms on my knees, just sitting here. Nobody knows why I’m just sitting here (but they do because you know how it goes in the city though your eyes are on pavement you still see everything that goes on. I hear the scuff and click of heels going by; men in black suits and gold bracelets with women on their arms that radiate vanilla and they know I’m here and haven’t a care why, so long as I stay and behave on the stairs.
There are three ways to get around things, and that’s all I’ve been doing: Getting around and getting by and I tell myself that’s why nobody’s coming around. I don’t need anybody coming by, after all.
What I need is you. I want you back here, sitting next to me instead of before or after me. I need to hear you complain and carry on, and I want to wake beside you wondering how you could get so inside of me. You took the best and left the worst of me…of us. Friends is not what we’re made of, and we would never know how to behave. I don’t want to be friends, darling, I want us to cling like enemies and fight our way down from this mountain.
But tonight this place where we stood is empty.
See Authors page for Kristine’s bio.
FIRST BLOOD IN DREAMS LONG AGO
by Robert Crisman
The endrocine system of dreams allowed my lost love one last turn, wreathed as she was in blue smoke in the old gutted building on Third as I stood transfixed in a doorway and waited. She wore her black hair as a crown that haloed her pale aristocrat’s face, skin tight over bone, from which she’d conjured a mask of indifference.
She smoked cigarettes, and I knew that she waited as I did.
I saw her nerves chewing, and maybe she waited on me. To save her? I felt lust in that doorway and lust is not rescue, yet also I felt an ache stirring, an ache that I’d felt through 10 lifetimes, an ache that had made me jump, dance, and sing to the music she played from Day One, when I saw that our sins would rule us, hers etched with scalpels, mine written on water…
My tears are silent, unshed, dried to dust now—as if I could match her indifference and then bleed her that way and then walk away, free at last from the fear that took hold of my throat the red night that we ripped at each other and she bled me first, then gave me to know that First Blood will last ‘til the end of my time here on earth.
I wait—hoping she’ll break? Yes, and bleed. I can go to her then and wrap her like smoke, pull her free…
See Authors page for Robert’s bio.
WHAT IS THIS THING CALLED LOVE?
by Bill Floyd
Damn right, it’s pure. That’s about all anyone knows for sure. A sweep of the leg, springcoils of smoke past her eyes, the careless flick of the ash. It is not what we make of it, but we are most certainly what it makes of us. That smolder, the clarinet’s seduction. Frank asked the Lord up in heaven above, and the Lord said it’s a crazy little thing: a mood, a time of morning, a face, a dance. The hardest heart will not break it, the craftiest mind will not outwit it, and the most lofty morality will not survive it without compromise. This bared shoulder at daybreak, this everlasting night. Love is that thing that beckons your gaze, corners your thoughts, and demeans your aspirations. Your plans mean nothing to her, but she might have time for a song. Love strings spiderwebs between the stars, binding silverfire throughout the coldest emptiest dark. Love charts infinity: You are here.
See Authors page for Bill’s bio.
LAST NIGHT WHEN WE WERE YOUNG
(a tribute to Frank Sinatra)
by Brian Michael Barbeito
Everything was there. Absolutely everything! But it was not known that we were in the sea that could do no wrong, or a world unto itself that had only electric magic and intensities untold. You know, we were waiting and waiting- on a soul level- for such a thing to come true, to come alive- it is no secret that that is what everyone longs for. And the night- eons and eons had preceded us- but the night at a time like that is new- it is the first night of the world in fact. Hair and cheekbones, gait and smile, eyes full of Gnostic secrets shining and they are dark diamonds. The city is not so bad after all, and two spirits traveling through time recognize one another and something meshes, melds. How is it that you run your fingers through your hair? How is it that that you are like the good serpent? How is it that you could have walked through the world and the inhabitants of the world not knelt in reverence and awe? But there is something else- after a circle is drawn there is only a moment- and then the circle must break apart. The other one- the wiser one- said, ‘You two will now be apart- practically forever- the allure was too intense- and now the universe will even it all out.’ You don’t get to be young forever- far from it.
See Authors page for Brian’s bio.
I’LL BE AROUND (Alone Together)
by Ed Dean
A casualty of the mind often goes unseen.
The yellow buff brick apartment building that Suzie occupied was reasonable for her needs. Her unit was decorated with an eclectic flair, somewhat like Suzie’s personality.
Late in the peace of the evenings was the only time Suzanne and I ever communicated.
“Suzanne?” The gentle stillness of her mind made me comfortable. Pushing herself back into the plush couch, she closed her eyes and spoke.
“Hi, are we on speaking terms again?”
“Sure, why not?”
“Oh I guess I thought you were mad about the drunk I pulled on you the other evening.”
“You know I was there but with all that alcohol, I couldn’t speak. You do that to me all the time. I thought we were best friends. Why do you shut me out like that?”
“You’re just going to learn to take care of yourself like I do. Sit back and enjoy the ride!”
“Come on Suzanne, you know we’re better than that! We could do great things together. Why aren’t you trying?”
“Knock it off! It’s me not we. I’m into fun and that’s all. I’m going upstairs to see Bobby; he knows how to have fun. Honestly, you bore me sometimes. You want to come along?”
“Suit yourself; you always do”
The full dark straight hair that framed Bob Boyce’s long slender face made his large sleepy eyes more pronounced. It seemed to speak to his sexuality. His ruddy pock marked face added strength to the perception.
To read the rest of this story, click here. See Authors page for Ed’s bio.
ILL WIND
by Bill Lapham
Sam Merit picked up a rock, felt its heft, rubbed its smooth surface with his callused thumb, and considered his situation. The sky had turned black in the southwest.
“Fucking supercell,” he said in a phlegmatic voice.
He leaned his thin frame to the left to ease the weight off an old wound on his right and pulled a dirty hanky from his pants pocket. He slid his ragged hat back on his head and wiped his weather-beaten face. He felt the hanky scrape against the stubble of his beard, wiped the grit from the deep furrows around his eyes, and spat.
He stuffed the hanky back in his pocket, dropped the rock and pulled out a flask. He removed the cork and drank a mouthful of whiskey. His eyes watered as his belly warmed.
A quick look around revealed nothing but open range.
Sam was a dowser hired to look for water by a wealthy developer with plans to build a resort spa in the middle of nowhere. He had found the middle of nowhere, but not the groundwater, yet.
He had confidence in his methods which relied more on his pappy’s old hickory divining rod than science. If it was there, he would find it. He had felt water in the rock.
Just then, an ill wind blew and Sam couldn’t get low enough to protect himself. He was never seen again, but his diving rod was found stuck in the earth over a bountiful freshwater aquifer.
See Authors page for Bill’s bio.
20:35 HINDSIGHT
by Sandra Davies
We’d moved in a couple of days previously, and even at seven I knew that my mother hated this raw-edged bungalow in its builder’s wrack of a rock-strewn earthen plot, knew that my father’s tangible tense anxiety as we arrived, crammed into the cab of Patterson’s green pantechnicon, had been justified, although even now I don’t know to what extent she had foredoomed it.
And when, a couple of afternoons later, this younger-than-my-mother woman came tripping across, glossy black curls vivid against scarlet blouse, bare feet in scuffed and worn-flat shoes and a crinkle-eyed, chipped tooth smile, introducing herself as Maureen, in an accent I later learnt was Black Country but then saw as exotic(!), and clutching an album of her wedding photos to show us, I was charmed by her friendliness, thinking her kind and welcoming, and increasingly embarrassed at my mother’s off-hand disinterest, at the minor hostility she exuded. With what seemed ill-mannered haste my mother ushered her out, and turned to me with some derogatory remark, speedily enough for my encouraging comment to be clamped.
Only now do I recall that exactly twenty years later it was my turn to repel the advances of a would-be friendly neighbour. This one had tripped from further, her smile was far less innocent and disappeared completely when she saw that our furniture was impoverished and mismatched and that we had not yet put carpets down. Only now do I wonder how my children judged the tolerance of my behaviour then.
See Authors page for Sandra’s bio.
HOPE AND WATER
by Travis Smith
What is that? Water I guess, but why is it forming circles on the ceiling? I want to stand and look, but I can’t move…Is that someone calling my name?
I know I hear someone calling, but I can’t remember if that is my name. I try to call back, but no sounds come out.
I remember other things. A woman. I can see her smile. My hands recall the feel of her hand resting in mine. I can see the soft curves of her body as those same hands, now limp at my side, trace them gently from head to toe. I can remember every detail about her, except her name which I can’t recall any more than my own.
I hear the voice calling again. It’s a woman’s voice. Is it her, or is it just my mind playing tricks to give me hope?
I am tired and I should rest. Maybe if I did I would be able to move when I wake up, or maybe I will still be stuck here, wherever here is, and the hope will be gone. I think I will stay awake, watching as my hope floats to the ceiling and dances in the watery circles while I think about the woman I remember dancing with under the soft glow of the moon in some other place and some other time. The details are not as clear as the image of her, moving so gracefully, entwined with my soul.
See Authors page for Travis’s bio.
1955
by Michael D. Brown
“Married two years, of which we’ve spent eighteen months separated. You hardly see the baby, and won’t acknowledge the one on the way. Couldn’t expect you to, not being certain it’s yours.”
[click] Love has lost its meaning and so have the stars.
“Remember how you never wanted to play this new Scrabble game,? I wasn’t trying to embarrass you, Red. I’d forgotten you never learned to read.”
Nothing’s what it once used to be.
“Went to the movies with a girlfriend and couldn’t believe when the kids jumped up to dance to Rock Around the Clock. Never saw anything like that before, and wanted to join them. Would have been difficult with this big belly, but still, I had the yen.”
Song birds say it’s spring. I don’t believe them. “I’m not the teenager I was.
“Churchill resigned, but I have a feeling he’ll be back.
“They’re taking down the Third Avenue El. That we’ll never ride again.”
Once love was king, but kings can be wrong.
“A program’s coming on the television called The $64,000 Question. What I wouldn’t give to have a go at that, even though I’m not smart enough to win anything big as you’ve told me often enough.
“It’s a new age. The War’s been over for ten years, and it’s about time for a change. We’re all due for a hearty laugh.”
A smile will help hide the ache in my heart. [click]
“It’s late, and I was wondering if you’d stay tonight.”
To read the rest of this story, click here. See Authors page for Michael’s bio.
THIS LOVE OF MINE
by Grey Johnson
The dew has fallen and the air has grown gentle in the dark. She is wearing no shoes, and only her lover’s cast-off shirt, which she slipped on in the bathroom. As she creeps out the creaky storm door onto the porch, without any light or eyeglasses, she very nearly misses the top step. Pausing to catch herself, she tries to think of a reason she could give for being outside so late, barefoot and wearing a strange man’s shirt, to her husband who remains inside sleeping, should he wake to find her missing from their bed. No good lie comes to mind as she steps out onto the grass, and looks up to see not a single star. Above her is just a soft ceiling of cloud tinted by streetlamps, as familiar now as it was before sunset. The risk she has taken by sneaking out into the yard, half-clothed, in the middle of the night, to seek a simple shining pinpoint seems foolish. There is only one way to wish, she realizes, on a night such as this, with no stars flickering hope. She reaches out, her arms reflecting the branches of the tree standing sentinel in her yard. Reeling inside, she opens her heart to the wide hiding sky, and aches to trust, above the clouds, all the glowing bits of light she cannot see.
See Authors page for Grey’s bio.
All tracks for Spot 011 suggested by and / or adapted from Frank Sinatra’s 1955 landmark album
In the Wee Small Hours.